CARPARK RECORDS

@ is composed of Philadelphia guitarist Victoria Rose and Baltimore producer/musician Stone Filipczak. They named their band @ (pronounced “At”) — a symbol that calls to mind the detachment of an email exchange or a Twitter mention. The folk-pop duo created their debut album Mind Palace Music almost entirely remotely from, sending each other recordings over iMessage from their respective cities throughout fall/winter 2020.

To celebrate the 10th anniversary of Cloud Nothings' seminal album, Attack On Memory, the band has announced a very special limited edition vinyl pressing. Pressed on sky blue vinyl and housed in a foil jacket with all new colorized artwork, the anniversary edition includes two bonus flexi 7"s featuring two never-before-released tracks, "You Will Turn" and "Jambalaya", lifted from the original studio sessions at Steve Albini's Electrical Audio.

On The Beths’ new album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships and more importantly, their aftermaths. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life? The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”

Wellington, New Zealand four-piece Hans Pucket writes nervy but effortlessly danceable rock songs about feeling bad. Their second full-length album, No Drama, which is out November 4th via Carpark Records, gleefully captures the all-too-common twenty-something anxieties of talking too much and then being unable to find the right words to say. Recorded with the band’s good friend and former tour mate Jonathan Pearce of The Beths at his Auckland studio, No Drama is full of big leaps, immaculate arrangements, and a ton of immediate grooves. The result is Hans Pucket’s most sparkling and confident collection yet. While it’s danceable and fun, it’s also a thoughtful exploration of anxiety, a call for empathy in a turbulent time, and a relatable reminder that it’s hard to figure things out.