Good Flying Birds Talulah’s Tape

About

Talulah’s Tape is the debut offering from magnetic Midwest-jangle collective Good Flying Birds. Across a patchwork mixtape of stripped-down home recordings that span the independent-guitar spectrum, the band delivers colorful, intricate pop songs perched between the immediacy of DIY punk and the intimate sweetness of twee. Breakbeats, memes, and noise glue everything together, making the album feel as chronically online as it is timeless.

Originally released on cassette in January 2025 by Midwest-punk legend Martin Meyers’s Rotten Apple label, the tape sold more than 300 copies in under a month and quickly became an out-of-print and coveted item. Meyers called it “certified catnip for popheads.” Now, with a refined track list and a fresh master from Greg Obis, Talulah’s Tape returns on LP and digital via Carpark and Smoking Room on October 17th, 2025.

While production and approach vary, a through-line of sensitive self-contemplation rests on bright, scrappy guitars and hyperactive melodic bass. Opener “Down on Me” rides a buoyant bass line while jangling guitars frame reflections on overcoming trauma: “I see you in the mirror every time I cry / I hear your voice every time I try.” Next, the guitars trade twinkling counter-melodies on “I Care for You,” pairing sugary, lovestruck lyrics with effervescent strums: “You catch me when I fall / You build me up so tall.”

The rosy grin occasionally twists into a wicked smirk. “Dynamic” warns, “You used to paint the face, but now you’re just the clown,” while “Glass” asks, “Is it lonely at the top when everyone follows the trend, and you hold the pen?” Both tracks brim with sparkling guitar interplay. By the closing, nearly five-minute “Last Straw,” Good Flying Birds stand far beyond conventional indie-pop or 4-track punk, unveiling a roller-coaster of unpredictable changes, vocal harmonies, and instrumental cross-talk.

Altogether, Talulah’s Tape is a pastel-yellow, candy-coated shell filled with thoughtful juxtapositions and melodic experiments. Standing on the same ground as idiosyncratic songwriters like Kevin Barnes and Stuart Murdoch, Good Flying Birds find sweetness in sadness, tear stains on a colorful flower-print couch. Simultaneously, it’s packed with the scratchy guitars and vibrant rhythms of Scottish guitar groups like The Pastels, Orange Juice, and Josef K. It’s a tremendous opening statement from a band just getting started.

Their new single “fall away” is out now, listen to the single & watch the music video here.

Artist Bio

Good Flying Birds is a jangling, noisy guitar-pop group based in the Midwest, USA. It began in December 2023 with a collection of 4-track cassette recordings and stop-motion videos uploaded to YouTube under the name “Talulah God,” along with a chaotic and colorful, GIF-infested website. Over the following months, songs were uploaded fairly frequently, eventually catching the attention of influential punk and DIY label operator Martin Meyer. Sharing both dirty basements and well-lit stages with like-minded punk janglers (Sharp Pins, Answering Machines, Wishy, Pardoner, Horsegirl, Graham Hunt, Golomb, Chronophage, Playland, to name a few), they’ve been key players in stoking a flame for scrappy guitar music that seems to grow by the day. The influence of jangly lo-fi/DIY heavyweights who came before like Guided By Voices (their namesake), Beat Happening, DLIMC, Talulah Gosh (partly their namesake), and The Vaselines, is prevalent, but they carry a unique charm all their own. It’s the sound of looking at a crumbling world with rosy cheeks and wide eyes, a tambourine by your side. Good Flying Birds have signed with Carpark Records, and are co-releasing their new single “Eric’s Eyes” with Carpark & Smoking Room.