Dent May Late Checkout
“Full speed ahead now, no more looking back.” Dent May confidently croons on his fifth LP, Late Checkout. The un-nostalgic sentiment and sobering clarity of May’s latest body of work signifies the 35-year-old songwriter from Mississippi taking a reflective rest-stop on the winding road of his now decade-long career. After relocating to Los Angeles in 2015, touring his last record Across the Multiverse around the world, and building his own Honeymoon Suite Recording Studio with friends Pat Jones and Michael Rosen, May suddenly found himself with the chance to take his time making a record. Through the dozen thematically-linked tracks on Late Checkout, May grapples with the swinging emotions of our contemporary reality with a rare optimism and distinguished sound.
Bearing the torch of classic American songwriters that have inspired him like Harry Nilsson, Carole King and Randy Newman, May has gingerly cultivated his iPhone note scribbles and subconscious melodies into songs that could stand the test of time. Leaving the comfort of home-recording, May set out to elevate the production quality on Late Checkout while maintaining some intimacy through sparse arrangements. After writing and performing parts for a bulk of the instruments on the album, May filled out his orchestrations by inviting string players, a horn section, background vocalists, and a pair of auxiliary drummers to play on the album. Contrary to the instant gratification permitted by modern home-recording, May made a conscious decision to slow down and pay careful attention to his songwriting on this album. He began to savor the minutiae of his daily life spent wandering around LA, not getting invited to hang with friends, and waking up in hotel rooms after DJing weddings. May drew on these moments in his lyrics and began assembling ballads at his new studio, mimicking the bittersweet tone and consistent work ethic of Motown.
“I’ve been collecting stationery from almost every hotel I’ve stayed at for the past ten years.” May reveals about the album’s opener “Hotel Stationary.” “I’ve always been drawn to the nature of hotels. I think it relates to this sense of always feeling out of place and my constant wanderlust.” On Late Checkout’s first single, “I Could Use A Miracle,” May sings about the desperation of feeling down-and-out against a lush and upbeat pop instrumental. The groovy “Easier Said Than Done” is decorated with bright keys and syncopated drums while May sings about coming to the end of his journey to find love. “Sea Salt & Caramel,” spilled out of May as a saccharine love song to his girlfriend, adding pure sweetness to balance the record’s melancholy pallet. From beginning to end, May bares his soul on each track across Late Checkout, offering a reluctant goodbye to his former selves, before wandering home.
“The craft of songwriting is 100% what I’m about,” says Dent May. “That’s what keeps me going. My goal is to just live a long life and write a ton of good songs.” With the Mississippi-raised, Los Angeles-based musician and pop auteur what you see is what you get: a restless and prolific artist who worships at the altar of a memorable hook and a sharp lyric. There is no gimmick or press-ready narrative about May overcoming past trauma, mental breakdowns, or surpassing insurmountable obstacles. This is simply a guy who is extraordinarily good at making warm and inviting tunes. He’s done it for over 15 years and isn’t stopping anytime soon.
The 38-year-old artist has made a career of impeccably crafted pop songs starting with his 2009 debut The Good Feeling Music of Dent May & His Magnificent Ukulele, which came out on Animal Collective’s label Paw Tracks. His follow-ups in 2012’s Do Things and 2013’s Warm Blanket solidified him as a bedroom pop pioneer whose songs felt equally timeless and ahead-of-the-curve. Following a move from Mississippi to Los Angeles, May signed with Carpark and released two increasingly adventurous albums in the psychedelic Across the Multiverse from 2017 and the silky Late Checkout in 2020.
His latest LP is What’s For Breakfast?, his sixth album and third with Carpark, marks a shift from timeless pop to more guitar-driven rock. The 10-song collection is some of May’s most energetic and immediate tunes yet. It mirrors his relentlessly prolific streak, which includes platinum-certified singles with Eyedress and guest appearances with The Undercover Dream Lovers, Bob Jr., and Paul Cherry. Alongside two other artists, he operates and works out of the recording studio Honeymoon Suite in northeast Los Angeles.
Hi-Res TIFF album art:
Lead Press Photos:
Photo by Cara Robbins
Photo by Cara Robbins
Photo by Cara Robbins
- North American publicity by Grandstand
- College/Non-Commercial/Commercial Specialty radio by Terrorbird
- Digital playlisting & positioning by Terrorbird
- Sync licensing by Terrorbird
- Facebook boosted posts and targeted Instagram dark posts throughout campaign
- “I Could Use A Miracle” and more music videos in the work
- Hotel Stationery
- I Could Use A Miracle
- Didn’t Get The Invite
- Sea Salt & Caramel
- Bungalow Heaven
- Bless Your Heart
- Full Speed Ahead
- Easier Said Than Done
- L.A River
- Pour Another Round
- Late Checkout