ogurusu norihide general press

 

URB – april 2003 “next 100 issue”

Japan ’s Ogurusu Norihide is a guitar-playing Shinto priest who preaches from behind a laptop.  The Kyoto native’s new LP, Modern, is a charming entry into the paradoxical realm of experimental pop.  An instrumental antidote to our hectic post-millennial era, the album merges folk music and digital minimalism to spine-tingling ends.  Let us pray.

- martin turenne

 

sleaze nation – september 2002

who the hell is?...ogurusu norihide

not many bedroom producers can legally write “superior level shinto priest” on the inland revenue form where it says “primary job description”.

 

ogurusu norihide is a 25-year-old from tokyo who makes electronic-acoustic sounds.  He’s also a full-on shinto priest.  as a follower of the jinja strain of japan’s national religion, he is studying a belief system that reveres the natural life forces, or kami, which surround us.

 

“when I was a child, I think I will be a shinto priest vaguely because I lived in a shrine,” he admits.  “it is same feeling when I am listening to good music as the feeling when I am in the woods in a shrine.  good music makes good space.”

 

by now you may be expecting some far out new age nightmare, full of bells, chanting, poetry and nature samples.  but while norihide may remix the occasional stream, his music is as modern as his religion is old.  fusing laptops with acoustic guitars and found sounds norihide sees no contradiction between his life as a producer and his life as a priest.  quite the opposite, in fact.

 

“i recognized various kinds of silence after I studied shinto and introduced this sense to my music.  In many rites, we use sound like hand clap – kashiwa-te – that makes more refined silence space.”

 

and how does he balance it all in a typical day?

 

“after I graduated from shinto school in march, I have made music all day.  wake up, stretching my fingers and wrist, practice percussion, bass, guitar, piano;  each instrument an hour.  then i make music.  and sleeping.”

- chris hatherill

 

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